AI FILMMAKING WORKFLOWS

THE ORIGINALS,
PUBLISHED IN FULL

Three original shorts, written, designed, directed and cut inside a generative pipeline. Two are built shot by shot out of a video model; the third is built scene by scene out of an episodic engine, to find out what that trade costs. The films are here and so is the working behind each one: every generation block, the prompt as it was written, the design references, and the locks that stopped the world drifting between shots.

Films: 3 originals
Published: Beats, prompts and locks per film
Engines: Seedance 2.0, Showrunner
Rights: Original characters and worlds

The Twin Moons key art: two swordsmen facing each other across a wet neon platform in the rain, one hooded with a magenta blade and one in red armour with a cyan blade, two moons and a burning wreck behind them over a dark city, the title set between them.

TWIN MOONS · ORIGINAL · 0:35

A rooftop arena under two moons, a bladesman clearing it, and a phase assassin arriving on a burning wing.

Two moons, one wet rooftop, and nobody left standing between them.

OPEN THE PROCESS SHEET →

The Skyrunner key art: a small fox pilot in goggles and a flight coat stands beside her folded glider on a wet golden terrace, an armoured figure at each edge of the frame, a floating spire city behind her, the title in gold above.

SKYRUNNER · ORIGINAL · 0:30

A glider run through a floating city, flown along a route drawn by hand before a single frame was generated.

A small pilot takes the line through the city that nobody bigger can fly.

OPEN THE PROCESS SHEET →

The Mars Drop key art: a wide animated frame of a Mars colony, two figures standing apart in front of a landed rocket and a domed habitat, orange rock formations and a blue sky behind them.

MARS DROP · ORIGINAL · 1:47

A comedy two-hander with no action in it, made to find out whether an episodic AI pipeline can hold a scene on dialogue alone.

Two men, one red planet, and the growing suspicion that somebody is testing something.

OPEN THE PROCESS SHEET →

WHY THESE ARE PUBLISHED WHOLE

A finished thirty-five second film proves that one thirty-five second film exists. The sheet behind it is the part that transfers: which block ran on which model, what the prompt said, which reference held the character still, and where the world drifted anyway. Both are here in full, including the prompts, because the reference is not the moat.

YOUR MOVE

Want one of these for a brand?

Same pipeline, same locks, a client's world instead of ours. Bring the brief and the deadline.

BRIEF US →